working through

an uneventful weekend. one of those periods where you feel swaddled in cotton wool. everything around you seems muffled. so you busy yourself with things close at hand. the pants, which have begun to call themselves working through, stirred and whispered. they were as close at hand as anything else. i began laying the foundation. a scrap of red to remind one of the wound upon which this new cloth will be built. stitched up a few rips that were silent.  brought what was left of the hem back into close proximity of the leg.  on my last pair, i underlayed a hem from a different pair of pants. i'm not sure yet what i want to do with this pair. though i do not wish to repeat the past.  next will come layered fragments in a boro style...to strengthen and connect. 

namaste'

salvage blues

things that people

have used 

and cherished. they

have personality,

character,

and soul.

here we have two of my favorite things: music and cloth.  both created, or to be re-created, from salvage.  in the background is my latest acquisition, the troubadour, talked about here.  in the foreground is one of my favorite pair of work jeans. carpenters, complete with the extra little side pockets and hammer loop.  blown out knee with a minor repair already chanted in. chewed to salem and back heel cuz i love to were my jeans a few inches longer than my legs can manage. one of the legs is ripped several inches up along one side where i stepped on the trailing fragments of hem and continued to try to walk.

if you've been following my blog for some time, you'll remember i've already done a pair of skull pants. now it is time for something different. new. at first blush, i'm thinking something japanese. oni masks; foo lions; noh theatre; hannya masks...that sort of vibe. so, over the next few days, i'll be sketching some ideas while needle chanting in some stabilizing scraps and preparing the jeans for what is to come!

namaste'

to re-establish a sense of belonging

a bit of needle chanting on an often re-visited cloth, mind flowers.  no real reason to have chosen this cloth over any other. just the need to stitch without much thought. this cloth has many chant sessions to go before it will be fully realized. so it is as good as any to re-establish a relationship with fibre. a sense of belonging to something other than.  a union with cloth and community through stitch.

i spend too much time alone...

namaste'

perhaps...perhaps...perhaps...

"great ideas emerge

from useless fragments

of  thoughts."

-michael bassey johnson

perhaps time has slipped and left me along the selvage. sidelined. overlooked. perhaps this creates space. for thoughts. for dreams. perhaps what we think fills this space really only fills the expanse beside the space. like cloth filled with color and image beside the selvage.  

i seem to get lost all too frequently in these edges. of time and space.  perhaps it is simply a side effect of depression. or merely a forgetting to be present. perhaps i can nudge something from this stagnation. poke the hibernating bear, as it were.

play with some of these fragments. arrange a bit of a shrine, if you will. some tiny vignette  on my worktable to entice an idea. or three. from the ethers. to draw me away from the selvage and back into the tapestry of color...

namaste'

playing through the pain

"music washes away

from the soul

the dust

of everyday life."

-red auerbach

a few days ago, a log was dropped on my right foot, breaking two toes and smashing two others. talk about an extreme way to slow oneself down!  even though occupational rehab seems to think that the weekend is all i needed away from the craziness at my construction job to heal enough to return to climbing ladders and hauling steel, i'm still finding ways to take it easy.

i wanted to stitch this weekend...the gods know how much i miss my needle chanting!  but the pain just wouldn't allow me to focus.  so i turned to music.  strumming quietly upon one of my treasured dulcimers. it got me to thinking. i have a wonderful dulcimer collection, but have never catalogued them.  so i started rounding them all up and tracking down the various scraps of paper and digital files containing what information i have on each of them (some are better documented than others). 

these two lovelies are the ones that started my love affair with appalachian dulcimers.  the one on the left is by a wonderful luthier by the name of joe sanguinette (now deceased). it is made of walnut with a purpleheart fret board and dogwood inlaid centers on the hand-cut dogwood pattern sound holes.  it is one of two prototypes that he never put into production because they were too time intensive.  i was lucky enough to acquire this one, with the help of my mother, while he kept the other one (which ended up on ebay some years ago and sadly escaped my bids to be shipped to a buyer in england).  the one of the left is by jack lyle of waynesville, nc (also, now deceased).  this one is made from spalted wormy maple and has a quilted maple back and a mahogany fret board.  where the sanguinette has a lovely, mellow voice, the lyle has a bright, cheerful one.

as i began assembling all of my dulcimers in one place in my home (until now, they've always been scattered throughout the house - tucked in closets, under beds, displayed on shelves, in cabinets and on walls), i realized that i had quite a few more than i thought i did. thirty-six, to be exact. unless there are others lurking about that i don't remember owning...

the most recently acquired, and the most unusual, is this mandolin-dulcimer hybrid by eric holland of dark star guitars in eastern kansas.  eric started by deconstructing a pre-1895 bowl-back mandolin by luigi ricca, then completely rebuilding and restructuring it into a new walk-about style dulcimer.  his workmanship is superb and the sound is amazing!  i can hardly wait to get acclimated to its nuances and subtle differences from a traditional dulcimer, at which time i'll record something with it and post it here on my blog.

meanwhile, as i get them each photographed and documented, i am going to start a dulcimer page on this blog that will chronicle my collection in the coming months. look for it in the tabs at the top of the page.  and as the pain in my foot decreases and i am able to focus on my stitching, i have a couple newly started projects on my workbench that i will be sharing in the coming weeks as well...

namaste'

too short days

"i still find each day

too short for all the

thoughts i want to think, 

all the walks i want to take, 

all the books i want to read, 

and all the friends i want to see."

-john burroughs

spending some time this past week going through my blog and leafing through my non-cyber journals, i realized that i have allowed my life to encroach upon me. i've allowed work to impose and gobble up my time. more recently, i've allowed loneliness and lethargy to rob me of moments that once were spent creating...cloth....dolls....music....instruments...whatever!

in an effort to turn this decidedly unhealthy tide, i spent some time in my workshop this last weekend working on a new cigar box guitar.  you may remember this one here, where i acquired this unusual (and quite rare, it would seem) skull and cross bones cigar box.  i've had a lot of fun playing that four-stringer over the past year! while i know that i have other cbg's (cigar box guitars), some with four strings, some with three strings, and even that lovely one from my friend in england that is convertible between three and four strings, i came across this companion to that skull and cross bones cigar box with black printing instead of red and fully two inches smaller and decided i needed (yes, "needed"....one can never have too many music makers) a three string cbg brother to keep the older one company.  some sawing and sanding and shaving and cutting and wiring and happily spent hours later, i had this beauty above! like it's predecessor, it is an acoustic/electric so can be played either way. it has wonderfully low, easy action so will be fun to work out swift blues rifts on!  unlike its brother, this one even has black skull shaped tuners and a volume knob with a tiny skull in it (which you can see if you click on the pic and zoom in).

i think i have a couple old wood wine boxes that just might be large enough if i put them together to create a nice hard cbg case that will hold both of them!  time to go rummaging around in the workshop again and see if this is so...

namaste'

a hobbit's thought

"there is nothing like looking

if you want to find something."

-j.r.r. tolkien, the hobbit

sometimes i sit and wonder what to do. or not do. or do again. i can make myself crazy doing this doing-ness.  or doing-less, as the case may be. so in order to quell my brain and stop the world from upending itself and folding in, i pulled out my bowl of tiny squares and began stitching. again. tiny stitches. ticking the seconds away. i know one day these tiny squares will become some thing. a larger thing. a warmer thing. but right now they are simply tiny squares. stitched into a somewhat less tiny square. though still not large enough to warm anyone.

and then i noticed a new fray. a small rending at my ankle. a new opportunity to stitch. when i relinquish the tiny squares once again...

namaste'

a residue of time

"dark and silent

dreams settle

in the night like

a residue of time"

-d. joseph madl

while contemplating my collection  of burmese marionettes and indonesian wayan goleck (rod puppets), a thought intruded the quiet afternoon. unbidden. an unwelcome guest.  sitting in the corner. watching me squirm in discomfort. 

i have become complacent. 

lazy even.  

dust gathers on my workbench. a surface from whence once poured inspiration. like these puppets without a puppeteer,  i dangle uselessly in my studio. 

some thing 
must be done. 

a little more

"nothing can be done

except little by little"

-charles baudelaire

i'm slowly emerging, not unlike this year's spring. sometimes it seems like there is no time, though there is time enough for a little more. it's been a bit of a struggle...transitioning from a sedentary occupation to a physically demanding one. and at my age, no less!  couple the resulting sheer exhaustion with recurring depression and add into the mix the beginnings of arthritis and sometimes i just don't want to get off the davenport.

but the creative calling is strong. too strong to ignore for long, so this morning found me at the workbench adding cedar shake shingles to the first birdhouse. tiny little things, hand milled from scraps of cedar flooring from the cabin project.  the supply shelves out in the woodshed are filling up with all manner of marvelous bits from this adventure.  blue pine from the ceiling. red cedar from the floors. logs, branches and bits from the various pine trees and juniper bushes we've been harvesting for various projects around the house.  so many visions of new endeavors!  there's a lovely pine log that will become a fairy house...and some gorgeous longer bits of cedar that will make a marvelous box dulcimer with perhaps enough left over to become a scheitholt even!  they will make for pleasant little diversions from stitch and cloth now again.

my hope at this moment is that all of you in the crazy snow belt that has descended upon us are safe and warm and that those elsewhere are also safe and enjoying your days!

meanwhile, i was enchanted by what i found here.

namaste'